It often has the gentle innuendo of an obituary rather than the inquisitiveness of a biography. You can sense the concerned involvement of the surviving members of Queen in the film’s politeness. Mercury’s sex life and HIV diagnosis are dealt with briefly, watched in quiet montage, telling audiences no more than they already know. There are some poor, strange choices when deciding where to focus, not least committing so much time to his relationship with Mary Austin (Lucy Boynton) and virtually none to any happy gay relationship, romantic or otherwise. ![]() He gets almost all the good lines and offers an excess of material as a subject. Mercury’s story makes much better viewing, even if the script would prefer to allude to a life passionately lived than show it. It’s a cheerful trip through the hits, yet dramatically not very rich. Anthony McCarten’s script struggles to inject much drama into Queen’s rise, which progresses smoothly from student gigs to sold-out stadiums in just a few years. The two tales do not demand equal balance. The inherent problem there is that while the story of Freddie Mercury is fascinating and deeply moving, Queen’s road to glory is relatively free of bump. Learning the Bohemian Rhapsody piano chords has never been easier than with Skoove!įollowing its release in 1975, Bohemian Rhapsody was number 1 in the UK for 9 weeks.The film has a secret weapon: Rami Malek.
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